Spring Calf
By Brianna Simmons
Children played doctor in the run-down barn
using hay woven bandages to make up for their lonely
hands exploring butter soft skin, only as far
as each other was willing before worry of running
away like a wounded and startled elk,
the first prize dedicated to the Hunt.
The girl named for the Goddess of the Hunt,
conceived and birthed in the flattened hay of the barn,
stuck down with gestational slick like elk.
Spring child born too close to Summer, all alone,
who thought it best to just run
as fast and as far
away as her father’s breath would let her, far
enough that his hunting rifle couldn’t hunt
her, to the point where he’d make his own kin run
for cover of that snow-covered barn
and sit and wait for his heavy boots to thunk lonely
sounds, the same sounds she’d heard the elk
make when he’d taken her on her first Hunt, when elk
were the prize of the season and the pair had trekked as far
as they could before they were two lonely
points connected only by the blood ties of their veins and the Hunt.
She remembers this as she claws at the hay-strewn floor of the barn,
mixed with present thoughts of run, run, run–
but even if she wanted to, her legs wouldn’t run.
Misplaced shot, missed the chest, hit the leg of the elk.
They’d tracked it back to the backside of the barn.
It had fled and wandered as far
as their little farm and then their hunt
was over and all that was left in those doe eyes was loneliness.
Summer child, Goddess of the Hunt had never felt lonelier
than in this moment, when the sound of her father inspired her to run
and leave this chase that he so craved as his Hunt
of seasoned and claustrophobic elk.
She hadn’t gone too far, never back of the barn far.
But she’d let that boy between her thighs in this barn.
He’d taken her lonely, and inspired moans of an elk.
And she hadn’t wanted to run, unlike now, how she wishes for far
as her father hunts her down, his boots shotgun debris against the barn.
Brianna Simmons roams museum exhibits like an anthropological cryptid. Looking for inspiration in every corner, cranny, and cranium, she writes about humans through the lens of curiosity. @bns_and_Bris